|
|
San Diego Magazine First Place Winner |
| 2001
BEST KITCHEN Designed by a Professional |
|
|
| By
Virginia Butterfield July 2001 |
This
kitchen is part of a "great room" that was created by
taking down the interior walls of the second story of a remodeled
house. The actual kitchen workspace was limited (15 by 8 feet),
and the space is galley-like. The trick was to open up this space
to create a sophisticated -- as well as functional -- environment.
The family does much entertaining, so it was important that an
atmosphere of gracious elegance prevail, yet the kitchen also
had to feed a family that includes a 10-year-old and friends. |
Then
owners went to designer Laura Birns with an
idea. They wanted something contemporary,
but not too cold. The husband's taste leaned
toward industrial, Birns says, the wife's
toward a warm look. "Somewhere in the
middle, we got it," says Birns. |
|
By
removing the heavy oak cabinetry and the busy
blue tile that had covered the counters, the
splash and part of the wall, the space was
allowed to breathe. The goal was to simplify
but to keep a sophisticated look. |
|
"The
simpler you get, the more difficult."
says Birns. "Nothing can be hidden. The
design must be clean. Any miscalculation in
craftsmanship can't be hidden. There can be
no disruption. Everything must be open and
clean." |
|
|
|
|
The
Bendheim glass cabinets are textured, and because of its unusual
thickness, the frames -- oversized and over-height -- are custom
designed. The body of the cabinets facing the living space is
maple, with a bronze kick. The glass counter is a custom-made
curved piece of tempered glass. The unique, asymmetrical curves
in the base cabinetry create movement within this long space. |
|
The
countertop is honed black slate with marble full-height splash.
A 24-inch-square butcher block is strategically placed next to
the stovetop. |
|
|
|
| |
| San
Diego Home/Garden Lifestyles Magazine Winner |
| 2001
BEST KITCHEN |
|
|
| By
Wayne Carlson June 2001 - Breathing Space |
Laura
Birns said she "nearly suffocated" when she entered
her Del Mar clients kitchen for the first time. It was small,
dark, clunky and claustrophobic. |
|
"They
do a lot of entertaining, and they wanted to simplify, update
and open up the space to create an atmosphere of gracious elegance
and congeniality," Birns said. |
|
Birns
did all that, and much more, creating a rich, bright, undulating
space that's now part of -- not apart from -- the rest of the
house. Centerpiece of the space is an island with eating counter
that beautifully blends honed black-gray-green slate, robin's-egg-blue
marble, glass, maple and bronze. |
|
"The
kitchen is just 15 by 8 feet, but when we removed the busy original
tile, heavy oak cabinetry, enclosing walls and miscellaneous wood
details, the space was allowed to breathe," Birns said. |
|
Now
the space not only breathes, it sings. |
|
Held
by steel and bronze bracket, a curved tempered-glass counter floats
over the slate-topped island, faced with an arc of maple and a
monolithic marble slab that rises to form the backsplash. A built-in
24 inch square maple butcher block is embedded in the slate. |
|
|
|
|
The
drawers are big, painted a bold blue, with
stainless-steel pulls. Textured- glass panels
with stainless frames adorn oversized upper
cabinets. Appliances including a pair of Viking
dishwashers, are stainless steel. |
|
"What
an inspired use of space and light,"
said juror Linda Medina. "I just love
the Del Mar blue!" |
|
|
|
|
Juror
Amiko Gubbins gave high grades to the lighting and clean lines.
"I also like the flow -- the open floor plan makes the space
seem larger." |
|
|
"A
very strong entry." agreed juror Richard
Gatling. "The kitchen now is well integrated
into the whole house. The project is well
thought out. The designer achieved what we
all want with a small kitchen space -- one
that looks and works much larger." |
|
|
|
|